"A man = a visual consciousness"; "the visual universe = the sum of visual consciousnesses", as Constantin Flondor shows on the screen in his I-You-Witness. Of course, cinema is the perfect art to prove such a dual consciousness, of self and of the surrounding world, for at its core there are two two simple passions, but also unsuspected responsibilities: to document the (deceptive) reality and modify it at will. The films of this year's Romanian Cinema Retrospective contain much of the ideas and emotions of contemporary discourses about the image — fear and doubt, fantasy and pleasure, a desire to leave a mark on the landscape, the documentary fact and the equally documentary trick — giving the impression that everything has changed and yet nothing is new. After all, the first cave painting (and image) was also a matter of consciousness, one of existing in a world whose meaning can be given through a form of representation. (Călin Boto)