We live in a present haunted by the ghosts of the past – remnants of possible yet unfulfilled futures that nevertheless linger in a spectral form, infusing both public/political discourse and private discussions, and, especially, the cultural productions of our time. These thoughts are the basis for what the theorist Mark Fischer called “lost futures”, the inspiration behind our first program of this edition's International Short Film Competition. The films in Ruins of the Future are not as much an invitation towards an archaeology of these futures as they are an urge to contemplate them and situate their ruins, both physically and ideologically. Whether they’re happening in an urban setting or in a natural landscape, on the border between the two or within abstract, digital territories, these films question our fragile, overtly nostalgic contemporaneity. (Flavia Dima)