Kyiv in 2022. A car races at breakneck speed through the city at dawn. Filmed from a subjective camera angle in a single unedited shot, this contemporary remake of Claude Lelouch’s film C’etait un rendez-vous captures the emotions in a state of emergency caused by the war.
It’s a date is a one-shot road movie happening on the strange and phantomatic streets of Kyiv. Rushing through the streets in a first-person POV, we feel a mix up of urgency, danger and restlessness. The viewer is allowed to contemplate with anticipation a meet up between the driver and their beloved, while stressed that a potential death threat might come up at any time. We learn that human connection and romance — here, queer, both in the sense of non-hetero and odd, if we refer to the film’s space and time — are harder to manage and cultivate in a state of war. One has to, inevitably, adapt their ways and practices of love — a fundamental way of coping with dread. (Emilian Lungu)
Nadia Parfan is a Ukrainian filmmaker and producer born in Ivano-Frankivsk. She has a degree in cultural studies from the Kyiv-Mohyla Academy and one in social anthropology from the Central European University in Budapest. From 2012 to 2013, she was a Fulbright Scholar at Temple University in Philadelphia. In 2015, she completed a documentary filmmaking course at the Wajda School in Warsaw. Her feature-length debut Heat Singers premiered at Visions du Réel in 2019 and was awarded Best Documentary by both the Ukrainian Film Critics Association and the Ukrainian Film Academy.