Sadie spends a long night waiting for her aunt, to no avail. Hurt, she decides to begin her journey with the help of her grandfather: she will fly through time and space to South America. She will stop watching old black and white westerns that do not represent her in any way, and everything will feel different when she hears the dreams of other people, those who live in the forest.
An old Cree legend says that a rabbit once wished to fly to the moon, and the only bird that offered to fly him there was the crane. A magical, transcendental flight of a crane crowns this newest work by Argentine director Lisandro Alonso, an undisputed maestro of slow cinema. But one can perhaps dare to extend the scope of this fable’s central metaphor further. Eureka, the film in itself, is the crane, the moon is the history of cinema (from John Ford’s westerns to Werner Herzog’s epics about colonialism) — and, finally, the rabbit is us, the spectators, who allow ourselves to be transported to worlds both incredibly familiar and impossible at the same time. (Flavia Dima)
Born in Buenos Aires, Lisandro Alonso studied for three years at the Universidad del Cine. After co-directing his first short film Dos En La Vereda in 1995, he worked as an assistant director and sound designer until 2000. His first feature film, La Libertad, premiered in Un Certain Regard. After creating his own production company 4L, Alonso returned to Cannes in 2004 with Los Muertos, which premiered in the Directors Fortnight. Two years later, he completed his trilogy with Fantasma. In 2008 he directed Liverpool and in 2013 Jauja, which won the FIPRESCI award in Un Certain Regard.