Among intrusive and sought-after memories, a woman hears a disconcerting call from the depths of her being. A cryptic cry for help that becomes intelligible guides her to the original wound, to her inner child, becoming her own protector.
Some questions concerning the territory of representation are becoming recurrent in contemporary experimental cinema. “How does one represent an abstract space?” or “How does one represent trauma in a way that is not (re)traumatizing?”. In All My Scars Vanish in the Wind, Angélica Restrepo and Carlos Velandia find a cross-cutting answer to these questions. By turning to an ingenious portrayal of affective memory – a non-linear textual narrative, that jumps between episodic memories, and a visual narration, that employs the spatial and tactile memory of an apartment – the co-directors retrace the testimony of a female survivor of domestic abuse, encapsulating the sensation of scatteredness (of thoughts, memories, emotions) through the pointillist style of the film’s 3D graphics. (Flavia Dima)
Angélica Restrepo is a Colombian filmmaker, who graduated from the School of Film and Television of the National University of Colombia. Her work oscillates between new media and art direction. She was also part of the Art Department in the film Memoria by Apichatpong Weerasethakul and the web series Selección Natural.
Carlos Velandia is a film programmer and filmmaker whose work focuses on feminism, anti-colonialism, expanded animation and new technologies. His films have won awards at ZINEBI – International Festival of Documentary and Short Film of Bilbao and New Directors / New Films, and have been showcased in festivals such as Annecy International Animation Festival, Vancouver International Film Festival and Internationale Kurzfilmtage Winterthur. Additionally, his work has been exhibited in Colombian museums like Museo la Tertulia, Museo Rayo and the Bogotá Cinematheque.